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| As all violins are different, an over sized bridge known as a blank is used and worked to match the violin. |
A bridge blank with an old worked bridge to show the difference. |
I start by marking an approximate height and removing the excess wood, this is still much too high. |
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| The difference in thickness between the blank and worked bridge is very clear. |
Starting to fit the bridge feet which must match the curve of the violin belly perfectly, the dark areas show where the feet make contact |
As excess wood is removed more and more of the bridge is in contact with the belly |
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| The scribe line (here I have added pencil to make it more visible) shows the final thickness of the bridge top, the front is now worked to remove excess wood. |
Next the string height must be adjusted, here it can be seen the bridge is too high. |
Now the bridge is ready for a test run before it is full cleaned up, to check the balance of sound and playability. |